CD Review: Florencia Gonzalez' 'Between Loves'

Florencia Gonzalez
Between Loves
ZOHO Music

Uruguayan-born and New York resident, Florencia Gonzalez, is a talented composer, performer, instrumentalist, and singer, but showcases her instrumental side on Between Loves. Florencia presents us with a thrilling selection of six original tunes and one cover by Hugo Fattoruso. Florencia plays tenor sax throughout the album, while other musicians play trumpet, flugelhorn, trombone, piano, bass, and drums for s truly South American jazz experience. The musical notes waft between tango, candombe, big band, and Latin jazz styles that are rather laid-back, but full of life. As a Berklee College of Music graduate and New England Conservatory graduate with honors in jazz composition, Florencia knows a thing or two about engaging, historic, and cultural music. The entire album is around forty-minutes in length, but it seems to incorporate a variety of textures and melodies to keep everyone very satisfied. ~ Matthew Forss

CD Review: Susan Cattaneo's 'Haunted Heart'

Susan Cattaneo
Haunted Heart
Jersey Girl Music

With ties to Massachusetts, New Jersey, and Nashville, Susan Cattaneo is at home with the pop-country constructions of melody and rhythm on her latest release, Haunted Heart. Susan's vocals are reminiscent of Sheryl Crow and Shawn Colvin. The singer-songwriter vein is eloquently captured on many of the tunes, including "Lies Between Lovers," "Abide," "Haunted Heart," "John Brown," "Ingenue," and many others. The sweet vocals and drifting melody of "Haunted Heart" is relatively slow, jazzy, and folksy. The song evokes a quieter time of reflection and relaxing set in a 60's or 70's context. "Worth The Whiskey" opens with a steely guitar medley and thick, groovy sound structure that brings out the bluesy, Southern elements of her music. "Done Better" is a piano tune with a ballad-esque set-up and delivery. The drum, bass, and guitar mix is rather folksy overall. The power of lyrics that tell stories and great music to match are very difficult to accomplish, but Susan Cattaneo has no problems creating a fulfilling result. Fifteen tracks round out the album. 5 Stars (out of 5). ~ Matthew Forss

CD Review: Hillary Reynolds Band's 'The Miles Before Us'

Hillary Reynolds Band
The Miles Before Us
Self-Release

The Boston-based, folk quintet, brings us a magnificent album of roots, folk, blues, rock, and pop music with a hearty, Americana vein on The Miles Before Us. The fourteen-track album is full of happy moments, as well as contemplative moods revolving around relationships, family, and personal sacrifices. The vocals are much in-line with some of the top European folk performers, including Heidi Talbot and Karine Polwart. "How" is a rather spacious, folk tune with heartfelt vocals and slow melody. "Looking For A Way Back" begins with a rock guitar opening that merges into an alt-pop and folk vocal medley. This is somewhat like a folksy Evanescence; but better. "Braver Than We Think" starts with a female vocal line that incorporates some swishy percussion and sparkling strings in a folksy arrangement. "Crossing The Line" adds a bluesy edge to the mix, as the folk influence shines through with vocals, strings, and drums. "I Surrender" is an engaging, heady mix of bluesy, folk music that is upbeat and slightly Appalachian in origin. At any rate, the Hillary Reynolds Band knows how to make great songs that do not suffer from any faults or inconsistencies. 5 Stars (out of 5). ~ Matthew Forss    

CD Review: Hanneke Cassel's 'Dot The Dragon's Eyes'

Hanneke Cassel
Dot The Dragon's Eyes
Hearth Music

Based in Boston, Hanneke Cassel's fiery fiddling style incorporates a little Texas swagger, along with Cape Breton and Scottish music styles that make the entire project a foot-stompin' good time. There are twelve tracks that feature Hanneke's fiddle, but the piano, cello, viola, guitar, and trumpet are featured on other tracks for a truly unique and enjoyable experience. The somber and somewhat reflective "The Captain" features the earth fiddle, along with guitar and  other strings. Of course, a fiddle album would not be complete without a few waltzes, jigs, and reels, which are present here. The wholly instrumental album features great music with a mixed style that is sure to please fiddle fans and folk music connoisseurs. ~ Matthew Forss

CD Review: Gino Foti's 'Global Resonances'

Gino Foti
Global Resonances
Net Dot Music

The new work of Gino Foti's musical creations shines through in new age, experimental, and bass-infused melodies and rhythms on Global Resonances. Gino's strictly instrumental songs are poignant, contemplative, ambulatory, and engaging. The diverse bass guitar stylings are partly due to MIDI, but there are also loops and samples that fill in the melodies. There are fourteen different tracks in all that span over one hour. Some of the bass sounds are rather light and represent an East Asian flair. However, Gino's music is steeped in avant-garde and experimental styles with a world fusion element rarely seen in contemporary releases in new age genres. There are not only East Asian sounds and influences here, but African elements exist to some extent. The jazzy leanings are truly impressive on "Umoja." Global Resonances is aptly-titled, because it represents a worldly connection that brings together various cultural components that seem to mesh very well. Whatever inspires Gino, we can be sure he will make it his own and evoke a sense of magnificence and entrancement in all who listen. Play it today! ~ Matthew Forss

CD Review: Tev Stevig's 'Jeni Jol'

Tev Stevig
Jeni Jol
Self-Release

Jeni Jol, which means 'new path,' is a perfect album that explores the experimental, instrumental, and fusion music of the Mediterranean and the Balkans. Tev incorporates the fretless nylon string guitar, fretted steel string guitar, and gourd banjo. The music is instrumental and sparkles with Turkish delight. The heady mix of sounds swirl around sensual rhythms and fluid guitar calisthenics. The music is very fitting for fans of alternative guitar music, Middle Eastern instrumentals, and world fusion with guitars as the primary instrument. The spacious sounds are ripe with lively cultural textures that are not very superficial. The new and traditional compositions reflect a thorough understanding of cross-cultural instrumental music. Fans of the late-Bob Brozman and Shawn Lane will be pleased. No one will be dissatisfied with this release. It's that good. ~ Matthew Forss

CD Review: Myloe's 'Empty Out Your Mind'

Myloe
Empty Out Your Mind
Self-Release

The Boston-based alt-rock band, Myloe, is comprised of Fred Mubang on guitar, Alan Hokom on vocals/guitar, Tom Shani on bass, and Zach Mullings on drums. The new album is rather short with only six songs. However, the music is diverse with a solid repertoire of alt-rock vocals, lush guitar melodies, and punchy grooves that gritty, classic, and all-encompassing. There is a limited display of screaming guitar noises and vocals that are difficult to understand are nowhere to be found. "Empty Out Your Mind" is a punchy guitar song with a driving guitar melodies that are somewhat akin to the UK's McFly, but the vocals are more aligned with Incubus. "In Your Eyes" is a good rock tune with lush guitar sounds and vocal harmonies. "What Is Paradise" contains jingly guitar stylings and rock anthem-like choruses that are contemporary and guitar-driven. "Standstill City" opens with punchy bass, Latin-like percussion, powerful vocal lines, and giddy instrumental arrangements. There are punchy, classic, and melodic guitar arrangements that are difficult to describe with some Scandinavian or Celtic-like driven sounds. However, the rock guitar presence is still paramount here. Though, all in all, Myloe creates a short, but powerful release of guitar beauty, vocal prowess, and creative arrangements. ~ Matthew Forss    

CD Review: Steph Barrak's 'Words To Break Your Heart By'

Steph Barrak
Words To Break Your Heart By
Self-Release

Boston, MA-based singer and songwriter, Steph Barrak, creates spirited contemporary pop songs on this new eleven-track album, Words To Break Your Heart By. The gritty and warm guitar melodies of "Fossil Tears" contains heartfelt lyrics and folksy rhythms. "Married A Robber" provides a scintillating guitar melody with vocals indicative of Leigh Nash or early Shawn Colvin. "The Way You Make Me Smile" is a choppy tune with infectious pop hooks and smokey vocals accompanied by percussion and twangy rhythms. "Natural Progression" is an uppity tune with a steady guitar and percussion beat that is alternative from the onset to the end. "Painted Face" contains echoing guitars and an upbeat melody with highly-infectious vocals. "Connecticut" opens with another upbeat melody and soaring vocals that take a backseat on some lines, while the percussion takes over. Overall, fans of alternative pop and folk will love the music of Steph Barrak. Think Beth Orton meets Leigh Nash meets Shawn Colvin meets Suzanne Vega. ~ Matthew Forss

CD Review: Art Decade's 'Western Sunrise'

Art Decade
Western Sunrise
Eldest Only Recordings

The progressive/experimental rock music of Boston's Art Decade is something that is turning the world of contemporary music upside-down. The plethora of sounds, stemming mainly from punk/classical/rock avenues of the 1970s, 80s and 90s, contain a heady mix of soaring vocals, wailing guitars, brashy strings, and pulsating rhythms. They admit influences as diverse as David Bowie, Radiohead, The Mars Volta, and The Muse. Art Decade's instrumental repertoire consists of strings, durms, bass, and guitars. The powerful strings and static-driven guitars provides a sense of urgency that is musical and magical. "A Lie" is a loud, string-based medley with electronic vocals performed in an exciting manner with a bit of a dance beat. "Western Sunrise" contains lively strings and a patriotic melody in-between the vocal parts. "Breeze" contains spacious, guitar echoes, and scintillating strings with airy vocals. "Steam Punk Sticker War" is a thrashy mix of futuristic punk with a dose of acoustic metal that is very good. "Kids and Kings" adds a little punk to the table with vocals similar in style to McFly and similar groups. Whatever you call it, Art Decade is nothing short of a work of 'art'. ~ Matthew Forss