CD Review: Elida Almeida's 'Ora Doci Ora Marcos'

Elida Almeida
Ora Doci Ora Marcos
Lusafrica

Elida Almeida's beautiful vocals electrify the music on Ora Doci Ora Marcos. The Cape Verde-native brings us thirteen songs of inner joy for a truly enjoyable journey into the traditional, yet contemporary, music from the islands. There are plenty of acoustic guitars, piano, percussion, bass, and ethnic grooves  that combine Portuguese folk with Afro-Latin rhythms and melodies. The soulful songs are very entertaining and diverse, but always memorable--in a good way. Elida's vocals are timeless and very moving. The vocals are especially outstanding on "Nhu Santiago," "Di Mi Ku Bo," "Mar Sagrado," "Djam Nkrel Pa Mi," and others. The upbeat music of "Txiku Branku" showcases Elida's creative vocals and dance-worthy, Cape Verde-beat elements. Fans of neo-classical, folk, Latin, Portuguese, Cape Verde, Afro-Latin, and island music will love Elida's latest effort. ~ Matthew Forss

CD Review: Various Artists' 'Ola Cabo Verde'

Various Artists
Ola Cabo Verde
Lusafrica

Lusafrica does it again with another stellar release. This one covers eighteen different artists from Cape Verde. There are nearly seventy-eight minutes of great, danceable music from some of the top artists in the country, including Neuza, Lura, Ze Luis, Tcheka, Boy Ge Mendes, Teofilo Chantre, among others. There is even a composition featuring the late-Cesaria Evora, alongside Lura on "Moda Bo." The music is highly-energetic and free-spirited. The combination of vocals, strings, guitars, percussion, and other instruments makes the album shimmer with musical satisfaction. The Afro-Caribbean sounds are somewhat Portuguese-inspired, along with other influences that are regional. The island country is known for morna music and other types. This album covers some of these styles and contemporary elements that are easy to assimilate and enjoy. Anyone with a passion for Cape Verde music will find Lusafrica's latest offering a 'must-have' without any reservations. ~ Matthew Forss

CD Review: Ernest Ranglin & Avila's 'Bless Up'

Ernest Ranglin & Avila
Bless Up
Avila Street Records

Jamaican-born guitarist and composer, Ernest Ranglin, has been wowing crowds and countries for decades with his signature style of ska, jazz, mento, reggae, and blues music. The instrumental tunes on Bless Up are very classy and rich with jazzy leanings, ska infusions, and island charisma. The rootsy jazz guitar stylings on "Bless Up" cement Ernest's reputation for indelible recordings and compositions. The rippling guitar and piano melody are backed by a beautiful, laid-back percussion section. The jazzy, reggae-tinged "Joan's Pen" is a heady mixture of classic vs. contemporary that finds an inner balance for everything to work just right. The swaying melody of "Follow On" showcases more diverse talent from Ernest's finger-tips. The sassy piano and horn section adds some pizzazz to the jazzy rhythm and guitar arrangements. There are sixteen tracks in all that span the gamut from jazz, lounge, tropical, roots, reggae, ska, and blues. Bless Up is a step up from other recordings that may be similar, but you'd be hard-pressed to find anyone comparable to the great Ernest Ranglin. He's 81 and still cranking out the tunes. ~ Matthew Forss

CD Review: Kobo Town's Trinidadian Rumblings On 'Jumbie In The Jukebox'

Kobo Town
Jumbie In The Jukebox
Stonetree/Cumbancha

Canadian transplant and Trinidadian native, Drew Gonsalves, brings us a rousing mix of calypso, reggae, acoustic, and island music rhythms on Jumbie In The Jukebox. There is an element of nostalgic fusion, jazz, lounge, and classical music, which blends perfectly with the calypso and roots percussion and beats. One hip hop and ska-inspired tune, "Postcard Poverty," is a bit punchy, jazzy, and urban overall. Don't worry; it's hip hop for the whole family. There are punchy dancehall tunes, mellow grooves, intelligent lyrics, and dub-influenced sounds that incorporate a bit of everything from Portuguese rhythms, Congolese guitar riffs, Caribbean dance elements, and calypso-roots music. Each tune is different and present something very likable. Anyone interested in calypso-inspired tunes will love Kobo Town's latest offering. ~ Matthew Forss 

CD Review: Cape Verdean Titina Releases 'Canta B. Leza'

Titina
Canta B. Leza
Astral Music

A native of Cape Verde, Titina grew up listening to composer, poet, and activist, B. Leza. The songs on this new album represent a nearly twenty-five year gap from the original recordings. The music is as timely as ever, as Cape Verde music continues to be on the world music map--thanks to the likes of Cesaria Evora, Bau, etc. Titina presents a mix of heady island rhythms and classic pieces of musical ingeniousness on Canta B. Leza. The songs represent a mix of morna and fado music with both male and female vocals throughout. There are only seven tracks, but the last track, "Rapsodia (Medley of Mornas)," is almost eleven minutes long. Anyone familiar with the Latin, Spanish, Portuguese, and European-infused music of the Cape Verde islands will understand the significance of Titina and everything she offers here. This is a recording that should not be missed. ~ Matthew Forss

CD Review: The Green's 'Hawai'i '13'

The Green
Hawai'i '13
Easy Star Records

A reggae group from Hawaii? You bet. This is the third album from Hawaii's best reggae crooners and groovers. The music is steeped in Hawaiian culture and Jamaican reggae. The opening track, "He Mele No Ku'u Hawai'i," is a traditional Hawaiian chant that begins the musical experience. The rest of the tracks contain smooth, reggae grooves and stellar vocals. The keys, guitars, drums, and bass are top-notch throughout. There is a sense of soul and funk to the mix. Anyone with a good sound system will benefit from the smooth sounds and gliding bass lines. This is contemporary reggae from an island, but it is located far from reggae's beginning in Jamaica. Hawai'i '13 is a number one album all the way around. It's that simple. Reggae fans with an adventurous edge will love The Green. Get it today! ~ Matthew Forss

CD Review: Carmen Souza's 'Kachupada'

Carmen Souza
Kachupada
Galileo

Cape Verde's Carmen Souza brings us an energetic mix of island rhythms and jazz melodies on Kachupada. There are thirteen songs in all, but 'My Favourite Thing' is one of those iconic odes that seems to transcend time and cultures. The fast rhythms and quick vocal tempo changes speed occasionally. However, the jazzy interludes shed some of the indigenous influences at times. Nevertheless, Carmen's voice is still young and fresh with bright elements and embellishments that keep one coming back for more. There are various vocal acrobatics that mimic some of the instrumentation. There are more indigenous elements that are not to be missed. Jazzy outros, folkish displays of fun, and complex textures make it all worth while. Fans of Cape Verde music, Portuguese music, and island rhythms will be especially enlightened by the music of Carmen Souza. ~ Matthew Forss 

CD Review: Keznamdi's 'Bridging The Gap'

Keznamdi
Bridging The Gap
Higher Intelligence

Jamaican-based Keznamdi brings us a reggae-inflected album of six new songs on his latest release, Bridging The Gap. There are spacious, pop hooks, and R&B-tinged tunes with some jazzy, urban beats that are still reggae-based, but there enough grooves and arrangements that span several genres. The music is interrelated and rather free-flowing overall. "Darkness" contains a little reggae, hip-hop, jazz, pop, and electronic elements that are engaging and memorable. "I Don't Wanna" opens with a little reggae guitar work and island vocals that are laid-back and enticing. "Is This Love" begins with a little shout-out and some hip-hop hooks with swishy percussion and back-up vocals. "Just Vibe" is a more urban tune with lush guitar hooks and typical reggae beats. The final track, "The Weekend Oohs," opens with some spacious washes and twinkling piano sounds with an electronica-based groove. Overall, Keznamdi succeeds with an intriguing and unforgettable set of songs that should satisfy reggae fans, as well as contemporary Jamaican music aficionados. ~ Matthew Forss

CD Review: Tarrus Riley's 'Mecoustic'

Tarrus Riley
Mecoustic
Soulbeats

Tarrus Riley is a Jamaican-American Rastafarian singer based in Bronx, NY. His style is easy-going reggae music with a soulful attitude and slight pop focus. The scintillating rhythms are smooth, infectious, and easy to listen to. The use of strings, guitars, horns, keyboards, and bass combine with bluesy and powerful vocals with accompanying backup voices representing a slight gospel edge. The English vocals contain a Jamaican presence that is always pleasant and relaxing. The militaristic march style of "She's Royal" is a heartfelt track all the way through. The piano sounds of "Eye Sight" are slightly jazzy, but Tarrus' vocals remind us we are in reggae territory. The typical staccato reggae beats are not particularly evident throughout the album. The poppy "Paradise" tune is a bright mix of sax, guitars, percussion, and backup vocals. Still, reggae fans will love the accessibility of all the songs no matter what their background or preference may be. Mecoustic is not about egos or selfishness; it's about music. ~ Matthew Forss