CD Review: Ernest Ranglin & Avila's 'Bless Up'

Ernest Ranglin & Avila
Bless Up
Avila Street Records

Jamaican-born guitarist and composer, Ernest Ranglin, has been wowing crowds and countries for decades with his signature style of ska, jazz, mento, reggae, and blues music. The instrumental tunes on Bless Up are very classy and rich with jazzy leanings, ska infusions, and island charisma. The rootsy jazz guitar stylings on "Bless Up" cement Ernest's reputation for indelible recordings and compositions. The rippling guitar and piano melody are backed by a beautiful, laid-back percussion section. The jazzy, reggae-tinged "Joan's Pen" is a heady mixture of classic vs. contemporary that finds an inner balance for everything to work just right. The swaying melody of "Follow On" showcases more diverse talent from Ernest's finger-tips. The sassy piano and horn section adds some pizzazz to the jazzy rhythm and guitar arrangements. There are sixteen tracks in all that span the gamut from jazz, lounge, tropical, roots, reggae, ska, and blues. Bless Up is a step up from other recordings that may be similar, but you'd be hard-pressed to find anyone comparable to the great Ernest Ranglin. He's 81 and still cranking out the tunes. ~ Matthew Forss

CD Review: Jaro Milko & The Cubalkanics' Cigarros Explosives!'

Jaro Milko & The Cubalkanics
Cigarros Explosives!
Asphalt-Tango Records

The Switzerland-based band, Jaro Milko & The Cubalkanics, combine edgy, Latin percussion from Cuba and punchy, horn-driven, gypsy music from the Balkans. The seemingly unlikely combination of instruments and styles comes together to form a unique and fluid blend of world fusion at its finest. The musical syncopation adds a little psychedelic moments, while other sounds take on a neo-ska origin. At any rate, The thirteen tracks are diverse, catchy, and very danceable. The surf-like guitar accompaniments and fluid bass-lines bring out the best in Cuban, Balkan, and gypsy music. Fans of heart-pounding dance riffs, punchy percussion and horns, and Latin rhythms inspired by the 1960's and 70's will especially love its resilient and memorable sound. Cigarros Explosives! is what results when you travel through Hungary, Switzerland, and Cuba--all at the same time! ~ Matthew Forss

CD Review: Kobo Town's Trinidadian Rumblings On 'Jumbie In The Jukebox'

Kobo Town
Jumbie In The Jukebox
Stonetree/Cumbancha

Canadian transplant and Trinidadian native, Drew Gonsalves, brings us a rousing mix of calypso, reggae, acoustic, and island music rhythms on Jumbie In The Jukebox. There is an element of nostalgic fusion, jazz, lounge, and classical music, which blends perfectly with the calypso and roots percussion and beats. One hip hop and ska-inspired tune, "Postcard Poverty," is a bit punchy, jazzy, and urban overall. Don't worry; it's hip hop for the whole family. There are punchy dancehall tunes, mellow grooves, intelligent lyrics, and dub-influenced sounds that incorporate a bit of everything from Portuguese rhythms, Congolese guitar riffs, Caribbean dance elements, and calypso-roots music. Each tune is different and present something very likable. Anyone interested in calypso-inspired tunes will love Kobo Town's latest offering. ~ Matthew Forss 

CD Review: Robert Soko and His BalkanBeats' 'BalkanBeats Soundlab'

Robert Soko and His Balkan Beats
BalkanBeats Soundlab
Piranha

Bosnian Balkan-beat master, Robert Soko, presents an array of musicians that know how to perform danceable, Balkan beats. You will hear Watcha Clan, Slavic Soul Party, Besh O Drom, Romzil, Los Colorados, Shukar Collective, Antwerp Gipsy Ska Orkestra, Florian Mikuta, Mode Plagal, Deladap, and others. This is one wild ride into the contemporary world of Balkan music. Nothing is left undone here. There are wild rhythms, boisterous horns, and seemingly cacophonous musical wanderings. However, the result is much more focused and purposeful. There are vocals on some of the tracks, but the instrumental abilities win out hands down. Anyone interested in the skittish Balkan beats and loud horns will love Robert Soko’s selections and mixes. Balkan DJs rejoice and world music fans unite for an unforgettable, foot-stomping, and heart-pounding journey through Europe’s musical corridor. ~ Matthew Forss

CD Review: Gadjo's 'Gadjistan Zizany'

Gadjo
Gadjistan Zizany
Self-Release

The Barcelona-based group, Gadjo, is a dynamic musical experience incorporating a number of instruments, styles, and origins extending across the Mediterranean, Spain, and Eastern Europe. The Balkan influence is highly-present, as well as a bit of polka, ska, cumbia, Latin, dance, and swing music. The party-like atmosphere created by a cacophony of instruments and vocals is rather structured, but it creates the impression it is more improvisational than it really is. The quirky horns, rousing percussion, lively vocals, and groovy tunes traverse the world's traditions in one place. The playful styles and sounds do not get boring and they are contemporary, but not electronic, in their approach. The witty "Two Left Feet" is a Balkan brass great with fun vocals and Khmer-esque, jazzy grooves that are more likely to come from Dengue Fever or Ersatzmusika, than a Balkan or Spanish group. Still, the fifteen songs are diverse, energetic, and playful throughout. Grab Gadjo's latest release for an hour of good times. ~ Matthew Forss

CD Review: Midwest Hype's 'Dayglow'

Midwest Hype
Dayglow
Self-Release

Midwest Hype's second release, Dayglow, is an intrepid journey of ska, jazz, punk, reggae, funk, hip-hop, and alternative musical styles that form a union of uniqueness never-before-seen (and heard) in today's popular music. The six-track release contains English vocals from the aptly-named and located group in the northern Indiana area. The reggae-tinged "Runaway," is a very catchy song. The funk-centric "Do Or Die", contains a good ska-reggae beat with a slight jazz element. At any rate, the vocals are top-notch and somewhat reminiscent of Stroke 9's lead singer. "People Of America" is a writhing reggae melody with witty lyrics and a hip-hop/funk influence. "All Is Water" is a jazzy, island-type song that is funky, contemporary, and inventive. The ska and hip-hop-influenced "Elastic Booty  Shorts" is a classic tune and the witty song title is a bonus. "Behind Our Eyes" contains a bit of jazz, ska, and Top 40 potential with a bit of hip-hop, too. The entire album glows with lush beats, smart vocals, inventive hooks, and a slew of styles. ~ Matthew Forss

CD Review: Bang Data's 'La Sopa'

Bang Data
La Sopa
Rockolito Music

San Francisco-based, Bang Data, brings us a writhing mix of heady electronic cumbia, beatbox, ska, samba, bossa nova, and dance music. Their new album, La Sopa, which means 'The Soup,' connotes the worldly influences in the music. Of course, Latin, rock, hip hop influences are also present. However, the Latin cumbia music is most prominent throughout the album. There are many instruments that produce the wondrous sound, including bass, guitar, zampona, charango, congas, timbales, cajon, turntables, synths, and vocals. Even Peru's Eva Ayllon lends her vocals on "Toro Mata." Over one dozen musicians play in Bang Data. A slurry of alternative, Latin rhythms and influences mark the unique sound of Bang Data. At any rate, the fourteen tracks are rhythmic, pulsating, and sizzling. Great for fans of Latin, cumbia, and urban dance tunes from the San Francisco-bay area. ~ Matthew Forss

CD Review: Antwerp Gipsy-Ska Orkestra's 'I Lumia Mo Kher'

Antwerp Gipsy-Ska Orkestra
I Lumia Mo Kher
Excelsior Recordings

The Antwerp, Belgium-based, Antwerp Gipsy-Ska Orkestra is a purveyor of Balkan-ska-punk music with a lively vibe of crazy horns, wild beats, and party atmospheres that will last long after the tracks end. The group incorporates Belgian, Serbian, Chilean, and Balkan roots with innovative and jaunty tunes. The first track, "Basalaja," features Marko Markovic, while "A La Truko" features MC Sebo and the "Roma Project" features the Kocani Orkestar. The eleven tracks traverse a plethora of styles and languages with rap, reggae, pop, big band, gypsy, klezmer, Balkan, Mediterranean, and ska-punk music topping the primary influences. The album title, which means 'The World Is My House' in Serbian Romani, is a perfect caricature of the group's musical style and arrangements. Gypsy music fans have another fine recording to acquire, thanks to the Antwerp Gipsy-Ska Orkestra. ~ Matthew Forss

CD Review: Vintage Blue's 'Strike The Mics'

Vintage Blue
Strike The Mics

The Chicago-based band, Vintage Blue, was formerly known as Tanglewood. Now the name is shed, but the tunes are better than ever. The ska-influenced, "Set You Free," is a mix of roots and rock music with luscious vocals and reverberating sax. The more rock-driven "Unchained" is partly influenced by Creed, but on a much lighter, vocal scale. The wailing guitars are not too loud or unnecessary. The folksy, ballad, "California Road," contains a good folk rock beat with reverberating B-3 and the horns give the song a little retro-class. "Sleep On This" is strikingly-similar (at least vocally and structurally) to circa-2000 Ed Kowalczyk from the band, Live. The folksy-rock ballad contains backup vocals, horns, and B-3 charisma. The Southern-rock-style piece, "Here To Stay," is a post-grunge anthem with vocals and guitar arrangements reminiscent of Stroke 9. "Against Time" is another song seemingly inspired by Stroke 9. The opening lines of "Just Breathe" beckons the spirit of the band Filter. The most divergent song is the classical, ballad-esque, "Great Divide." Throughout, Vintage Blue delves into various rock, ska, pop, and ballad-driven hooks with intelligent lyrics and classy grooves. Anyone interested in folk-rock, roots, post-grunge, and classy music with style and swagger, than look no further. ~ Matthew Forss       

CD Review: Jai Uttal's 'Queen of Hearts'

Jai Uttal

Queen of Hearts
NutoneMusic
 
World music and kirtan pioneer, Jai Uttal, produces yet another highly-rated album in a long line of albums over the years. Though, this release, number eleven, brings reggae, ska, and Latin rhythms to the mix—all rarely heard in the world of kirtan. As an innovator, Jai brings together an amazing selection of melodies, rhythms, and tones that do not fail. The Sanskrit lyrics, back-up vocals, and guitar solos are very interesting. All eight tracks were written and produced by Jai and his long-time collaborator, Ben Leinbach. The characteristic call-and-responses are still here, which are a major focus of many recordings in the kirtan genre. The somewhat jazzy or funk overtones are also evident on “He Natha Narayana.” Anyone with an interest in kirtan, yoga music, new age music, and Jai Uttal should find Queen of Hearts endearing, timeless, and a mainstay on any kirtan music charts. ~ Matthew Forss