CD Review: Ali Khattab's 'Sin Pais'

Ali Khattab
Sin Pais
Nesma Music

Egyptian composer, vocalist and guitarist, Ali Khattab, brings us a rousing mix of world fusion imbibed with an African, Arabic, and Andalusian presence. The flamenco-type melodies and instrumentation are mostly instrumental throughout, but Ali adds some vocals. There are Arabic forms, tangos, rumba, Sufi trance, and other indistinct musical qualities that add a blend of intense rhythms and contemplative tones. The music is created with the oud, violin, flute, double bass, duff, darbuca, palmas, req, and cajon. The most important aspect of the album is the origins of the music are multi-factoral and heavily influenced by various world music traditions. However, the music tends to flow very well without sounding disorderly or out-of-place. Ali succeeds with Sin Pais without any complaints here. ~ Matthew Forss

CD Review: Amira Medunjanin's 'Silk & Stone'

Amira Medunjanin
Silk & Stone
World Village

Hailing from Sarajevo, Bosnia & Herzegovina, Amira Medunjanin is a sensational singer that brings a neo-operatic tone to the mix. The folk songs are punctuated by jazzy stlyings, world travels, and relaxing vocal elements. The breezy songs are emotive and full of beauty. The nine tracks contain scintillating guitars with oud, piano, kanun, and double bass for a truly delectable release. The poignant vocals are clear, powerful, and mature. The plaintive ensemble instruments are very moving with instrumental sections that abound throughout the album. Fans of Balkan opera, folk music, and European music will love Silk & Stone. The music is smooth like silk and solid as a stone without any deficiencies. ~ Matthew Forss

CD Review: Kompania's 'Round Trip'

Kompania
Round Trip
CHARA

The Greek group, Kompania, releases an excellent new release aptly-titled Round Trip. The album touches on music beyond the traditional rebetiko fanfare with vibrant oud, baglama, zills, davul, darbouka, slide guitar, bouzouki, accordion, and guitar. There is still a good amount of Greek music here, but the instrumental repertoire opens up the tunes to influences across Europe, the Mediterranean, and parts of the Middle East. The Greek vocals are emotive, mournful, and happy throughout. In fact, the vocals are so powerful at times they tend to take on a life of their own. The vocal arrangements are diverse and appropriately match the instrumental sections. Vocals are attributed to Katerina Tsiridou, Sotiris Papatragiannis, and Dimitris Kranidas. The metallic bouzouki sounds are bright and cheery. The percussion is sparse, but precise. The entire package is enlightening and full of life with varied vocals and sounds that create a whirling atmosphere of sonic delight. Nothing is wrong here. Round Trip begins and ends with Kompania. ~ Matthew Forss

CD Review: Painted Caves' Self-Titled Arab-American Release

Painted Caves
Painted Caves
Primitive Records

Milwaukee, Wisconsin-based, Painted Caves, presents us with an exciting Arab-American release of guitar fusion and world music on their self-titled release. The group is headed by Ali Lubbad on vocals, guitars, trap set, and Arabic percussion, while Mike Kashou plays the oud, bass, percussion, trumpet, piano, and adds background vocals. There are also other musicians on Native American flute, qanun, congas, didgeridoo, and conch shells. Anyone familiar with Wisconsin music will be familiar with the great Paul Cebar on backup vocals. There is an emotive fusion of instruments that come together to form interesting unions that seem to work just fine. The instrumental arrangements possess a little psych/experimental sound indicative of music from the 1970's in parts of the Middle East and South Asia. The tracks are named as cleverly as anything by Dengue Fever, which provides some influence here; especially on "The Behavior Of A Certain Snake," "Paper Tigers," "Man Is Coy Behind Animal Tears," and "Morse Code." Anyone interested in various traditional instruments played in a contemporary setting will love it. Painted Caves emerges as a great work of art! ~ Matthew Forss

CD Review: Anna Hoffman & Romancero Sefardi's 'Juego de Siempre'

Anna Hoffman & Romancero Sefardi
Juego de Siempre
Sketis Music

Sung in Ladino, the language of Sephardic Jews, Anna Hoffman & Romancero Sefardi bring us a dozen sensual and emotive tracks with vibrant voice, percussion, and other assorted instrumentation. Anna is the vocalist, but she is joined by a plethora of instrumentalists skilled on guitars, kalimba, table, oud, saz, buzuki, sax, trumpet, tabla, santur, daff, riqq, udu, violin, rabab, and others. The musical repertoire is slow, sauntering, and utterly provocative for the senses. The melody and rhythm is chiefly Sephardic with Mediterranean and Middle Eastern elements abounding. The emotive vocal delivery, jazzy horns, and meandering percussion and strings makes it an ideal album for fans of Sephardic, Jewish, Spanish, and Middle Eastern music. Anna's voice is timeless. The time is now to hear it. ~ Matthew Forss

CD Review: Rim Banna's 'Revelation Of Ecstasy And Rebellion'

Rim Banna
Revelation Of Ecstasy And Rebellion
KKV

Palestine's gifted vocalist, Rim Banna, brings us a poetic display of musicianship with guests: Eivind Aarseth, Bugge Wesseltoft, Jihed Khmiri, Kays Zorrouk, Mohamed Ben Salha, Ossama Bishara, Ramsis Kassis, Mr. Kaz, and Shrikant Shriram. The entire project is rather laid-back with sounds emanating from guitars, piano, keyboards, percussion, oriental cello, flute, qanun, oud, and bass. The result is a vocal and instrumental album that represents a Pan-Arabic approach with new age nuances that are not as electric as Azam Ali. Each track flutters with rich melodies and transient sounds that are contemplative, cultural, and nostalgic. There are twelve tracks in all that reveal something new and fresh with each repeated listen. It is no secret there are beautiful revelations contained throughout. The light percussion, wafting vocals, and emotive deliveries are remarkable and represent a pinnacle, career achievement--thus far. Anyone familiar with Rim should check this out. All others will not be disappointed. ~ Matthew Forss

CD Review: Syriana's 'The Road To Damascus'

Syriana
The Road To Damascus
Real World

Syriana is a group headed by Nick "Dubulah" Page with songs written by Abdullah Chhadeh, Bernard O'Neill, and Nick "Dubulah" Page. The album is not to be confused with the 2005 film Syriana. Instead, The Road To Damascus paints a colorful picture of lush Middle Eastern melodies, rhythms, and instrumentation. For example, the oud, qanun, double bass, guitars, piano, keyboards, percussion, and a few vocals round out the musical repertoire. The violins are added by the Pan Arab Strings of Damascus. The album is mostly instrumental, which allows the tracks to shine beyond borders. The thirteen tracks do contain some cinematic tendencies, but the majority of songs are steeped in roots, folk, and classical music. Fans of Middle Eastern music will love the sultry nuances of Syriana's music. ~ Matthew Forss

CD Review: Michel Sajrawy's 'Arabop'

Michel Sajrawy
Arabop
Dasam Studio

Nazareth-based, Palestinian-guitarist, Michel Sajrawy, offers a glimpse into a new world of Arab maqam and Western improvisation on his latest album, Arabop. The jazzy, experimental sounds are rich with Middle Eastern and North Africa melodies, but familiar to all. The instrumental repertoire is well-balanced with Michel on guitar and keyboards, Amiram Granot on sax, Maali Klar on soprano sax, Samir Makhoul on oud and vocals, Valeri Lipets on contra bass, Wisam Sajrawy on darbuka and shakers, Stas Zilberman on drums, Nehaya Damouni on chants, and Adnan Haddad on speech. The wildly-played guitar stylings are equivalent to Hossam Ramzy on the drums. At any rate, the songs are up-tempo, but reflective in a similar manner. The energized darbuka and electric guitars thunder with delight on "Tojann." "1 Count Before 40" is a more meditative, lounge jazz tune that is wholly instrumental. "Arabop" reflects a more jazzy side to the music with a jaunty sax line and playful melody overall. The highly-energize "Batumi" is a guitar lovers dream with an equal amount of percussive embellishments throughout. There is a slight klezmer undertone. Overall, Michel succeeds wildly with a stunning set of mostly instrumental music that is both jazzy, Arabic, and improvisational. This is maqam music for future generations. ~ Matthew Forss

CD Review: Haram's 'Her Eyes Illuminate'

Haram
Her Eyes Illuminate
Songlines

Vancouver-based, Gordon Grdina's group, Haram, presents us with an improvisational and exciting avant-garde album of Arabic and Middle Eastern percussion with contemporary nuances coming from keyboard-like sounds coming from a violin. The violin, ney, darbuka, oud, riq, trumpet, bass, sax, clarinet, and drums are mixed with vocals to create awe-inspiring melodies and rhythms that are steeped in classical, Arabic, and klezmer styles. The ten long tracks are varied and engaging, but not overdone. The traditional base is paramount. This is essentially Arabic jazz at its finest. Gordon and his band Haram make the musicmaking process seem so easy, as the tunes keep coming with each track. The experimental and improvisational atmosphere is a delicacy for fans of Arab-jazz. Even though the album title means 'forbidden,' Haram will be accepted everywhere it is played. ~ Matthew Forss

CD Review: Wahid's 'Road Poem'

Wahid
Road Poem
BMI

The California-based duo, Wahid, is comprised of Dimitris Mahlis on oud and Chris Wabich on percussion. The Middle Eastern frame drums and meditative oud make a wonderful appearance throughout the album. Road Poem, which is musical poetry at its finest, brings together Eastern and Western traditions to the mix. The wholly instrumental album is void of any contemporary embellishments, such as guitars, keyboards, or other electrified instruments. Instead, the percussion and oud duets provide a sense of serenity and awe in the world of improvisational world music, jazz, and rock. Dimitris knows how to play the oud with a fiery passion, as well as a contemplative style for intros and outros. Chris' percussion is eloquent, precise, and always a pleasure. The energy between the two instrument forms is 'electric,' despite the lack of electrically-charged instruments. The wandering tones of the instruments resembles the galloping camels across North Africa, but the music is inherently Middle Eastern. Nevertheless, Wahid is an album of live tracks with applause at the ends of the tracks. ~ Matthew Forss

CD Review: Istiklal Trio's Self-Titled Release From Israel

Istiklal Trio
Istiklal Trio
High Fidelity
 
The instrumental music of Istiklal Trio is appealing, energetic, and contemplative--all at the same time. The trio is Yaniv Taichman (oud, guitar), Ariel Qassis (kanun), and Noa Vax (percussion). The modern trio does not incorporate dance-club tunes or electronic compositions notable in the trance world. Instead, the Trio performs renditions of classical pieces with up-to-date song structures perfect for fans of improvisational music, world music, folk music, instrumental music, and percussion. The scintillating rhythms reflect a South Asian, South American, and Central Asian sensibility with the charm of the Middle East thrown in for good measure. The fourteen tracks contain a few taqsims--Arabic maqams--and one rendition of the Godfather movie theme. The Trio makes instrumental music interesting and lively enough without resorting to banal rhythms and mindless melodies. Each instrument is given plenty of air-time throughout. Let Istiklal Trio ignite the musical passion in all of us. ~ Matthew Forss

CD Review: Nisos' 'Nisos'

Nisos
Nisos
Kania Brothers Entertainment

The Czech Republic-based band, Nisos, is a lively, contemplative, and folk-based, world music group that incorporates a plethora of styles from Turkey to Greece. The Greek influences are found in the instruments and rhythms. Furthermore, the band name means "island" in Greek. It appears their musical influences from Turkey, Greece, Bulgaria and Israel reflect the folk traditions inherent in these distinct cultures. However, Nisos attempts to combine them into a sort of fusion that sounds natural and very appealing. A variety of pleasant instruments are utilized, including the lyra, santuri, buzuki, saz, clarinet, kaval, oud, guitar, lute, trombone, trumpet, kanun, and double bass. The music is only around half-an-hour long, but the quality makes up for any time deficiencies. The vocals and instruments are worth their weight in gold....or "Mana" (my favorite track). ~ Matthew Forss

CD Review: Morocco's Hassan Erraji

Hassan Erraji

Awal Mara

World Village

Multi-instrumentalist and blind musician, Hassan Erraji, is a Moroccan native with musical ties to the Atlas Mountains. Hassan plays the oud, qanun, violin, darbouka, keyboard, nay flute, and also sings on each track. Awal Mara, which means, "love at first sight", features background vocals by Hassan's daughter, Yasmin Erraji. The traditional instrumentation mixed with drums and bass creates a modern musical environment without delving into the outer reaches of electronica or dance music. However, every song has a high degree of danceability. The most striking musical similarity to Hassan's music is from the bellydance and ensemble music of Egypt, or even the music of the Arabian Peninsula. The Gnawan trance music native to Morocco is not featured here, however there are hints of it throughout. Awal Mara induces a state of intrigue with the country-esque "Mounyati" and the instrumental "Douka Dance". Think of it like 'Love At First Sound', too! ~ Matthew Forss

CD Review: Love From Baghdad

Various Artists
Give Me Love: Songs of the Brokenhearted - Baghdad, 1925-1929
Honest Jon's Records

For anyone interested in high-quality historical recordings, Give Me Love... is a true gem for such connoisseurs. This compilation features music from the Iraq region and it is completely void of contemporary electronic beats and arrangements. However, the music was first recorded in the 1920's for 78 rpms. The sound clarity is superb throughout the CD. This is Arabic folk music that features characteristic, male and female vocals and the violin, zurna, lute, and various percussion. Some of the music is from Kuwait and Bahrain. 20 musicians are featured. The music of a classic era in Kurdish history is not to be missed. It is a real treat to discover early, recorded music. Do yourself a favor and enjoy the flavorful tastes and sounds of the Middle East with Give Me Love: Songs of the Brokenhearted... ~ Matthew Forss