CD Review: Gina Chavez' 'up.rooted'

Gina Chavez
up.rooted
Self-Release

Texas-based, Gina Chavez, brings together a classy, folk-riddled, alt-pop concoction of Latin-esque jazz tones and playful cumbia, reggaeton, and jam band music on her latest release, up.rooted. The punchy guitar sounds, clear voice, and Latin-influences are something interesting, enchanting, and memorable. When the Spanish vocals take over, there is an element of a more refined Shakira that pops up. At other times, there is a vintage pop element that is catchy, sensual, and sweet in the vein of UK's Katie Melua. This is not your typical conga and bongo Latin music, since Gina knows innovation and follows her heart for musical direction. This is a great world music compilation with lively strings, percussion, horns, guitars, bass, B3, moogs, and more. This is new world music for a new world. Overall, the reverberations resound with a Latin fire that never ceases to amaze. ~ Matthew Forss

CD Review: Nistha Raj's 'Exit 1'

Nistha Raj
Exit 1
Self-Release

A distinguished performer of Hindustani Classical and Western Classical violin in the Washington, DC-area, by way of Texas, Nistha Raj connects with her Indian roots, but includes a twist: vocal beatboxing, upright bass, piano, and drums. The edgy, innovative, and clearly awe-inspiring tunes are Indian fusion at its best. There is a jazzy feel with the bass, piano, and violin, but the Indian connection is channeled through raga cycles, tabla, and somewhat rustic, earthy tone of the violin. The somber, "Ek Pyar Ka Nagma Hai," is an instrumental ballad with organic violin, pensive piano, and light drum accompaniment. In contrast, "The River," embodies the innovative Indian instrumental spirit with punctual violin melodies, rhythmic percussion, and luscious drones. There are upbeat and plaintive moments throughout. However, the South Asian instrumental arrangements are creative and fresh. Nistha knocks this one into another dimension and it definitely 'beats' the competition. ~ Matthew Forss

CD Review: Alma Afrobeat Ensemble's 'Life No Get Dublicate'

Alma Afrobeat Ensemble
Life No Get Dublicate
Slow Walk Music

Following the previous release, Toubab Soul (Amphora Records, 2010), Alma Afrobeat Ensemble continue in their multicultural and cross-genre creative work of music that combines heady rhythms with contemporary vocals and mixed percussion, urban, and guitar styles. Nothing is simplified here, as the music is complex and deeply-rooted in the musics of Africa, Europe, and Latin America. The six-track release contains pulsating sounds of jazz, funk, Latin, and world fusion. The rippling guitars and fuzzy percussion awaken the spirit amidst the smooth bass lines and punchy brass. Based in Barcelona, Spain, the group members hail from other parts of the world, including Norway, Senegal, USA, Uruguay, Argentina, and Ghana. For a true world music listening experience, put Life No Get Dublicate on and hit repeat over and over again. ~ Matthew Forss

CD Review: Rafi eL's 'Ay De Mi'

Rafi eL
Ay De Mi
Dutty Artz

The L.A.-based singer, songwriter and musician, Rafi eL, possesses roots in Jewish and Argentinian cultures, which shines through on his new, adventurous release, Ay De Mi. The music is slightly electronic, urban, and spacious enough to let the melodies permeate the souls of the listeners. The somewhat synth-infused concoctions represent a refreshing style of music never before heard in the music world today. The eleven tunes contain sparkling, reverberating, and electronic-tinged melodies and rhythms that bridge South American and American influences. The light rhythms fuse a bit of Enigma, Jack Johnson, and Xavier Rudd in an imagined urban vacuum with cumbia as a foundation. Everyone will love this one. Rafi eL succeeds on Ay De Mi with a healthy dose of folkloric and electronic compositions that seem to bring back ancient melodies and spirits for today's generations. ~ Matthew Forss

CD Review: Adrian Raso and Fanfare Ciocarlia's 'Devils' Tale'

Adrian Raso and Fanfare Ciocarlia
Devil's Tale
Asphalt-Tango Records

The Balkan tunes of Fanfare Ciocarlia merge with Canada's eminent guitarist, banjo player, and electric bass aficionado, Adrian Raso. The instrumental tunes are mysterious with a saucy saunter and bellowing character that is anything but dull. The jazzy beats are quite pronounced and almost arranged in a Klezmer style. The punchy brass and uppity melodies are energetic and full of life. The musical style seems to mix old charm with new creative ideas that are refreshing and lively. Anyone with an interest in Balkan jazz, Romani music, and big brass sounds should check out Adrian Raso and Fanfare Ciocarlia. The Devil's Tale will grab you and never let you go. It's totally addictive. ~ Matthew Forss

CD Review: Badi Assad's 'Between Love And Luck'

Badi Assad
Between Love And Luck
Quatroventos

Brazil's Badi Assad brings us yet another fine recording of uppity, pop-infused, Brazilian-concoctions of stupendous proportions. The music is playful, vibrant, and varied. The edgy pop, rock, and alternative stylings incorporate the basic Brazilian sounds we come to love, but there is more to the music than meets the ear. Badi's subtle vocals are more diverse than Ceu's and a bit more mature, too. The refined tunes are varied enough to thwart boredom and staleness. In fact, it is almost impossible to create a bad album from Brazil. There is so much music to work with and Badi succeeds admirably. Between Love And Luck is a fourteen-track release that is not to be missed. Fans of Brazilian music should check this one out. ~ Matthew Forss

CD Review: John Adorney's 'The Wonder Well'

John Adorney feat. Daya
The Wonder Well
EverSound

The California-based acoustic and new age musician, John Adorney, brings together European soundscapes the are aurally-satisfying and very groovy. The electronic presence combines Enya with Ronan Hardiman. Mostly instrumental, The Wonder Well contains verses of delicate, engaging, and unforgettable beats, piano melodies, and sparkling atmospherics. Whether it is new age, electronic, instrumental, acoustic, neo-classical, or alternative pop, John Adorney knows how to create magical pieces of music delight. Daya's vocals on a few tracks only accentuate the instrumental capabilities of the music. The angelic washes, meditative rhythms, and awe-inspiring tunes are very well executed throughout. It seems every song is catchy and graceful with a moving delivery and a fanciful interplay between instruments that never gets old. Fans of Enya, Ronan Hardiman, and Vangelis will like its new age appeal and old world charm. ~ Matthew Forss