CD Review: Jacob Davich's Self-Titled EP

Jacob Davich
Jacob Davich
Self-Release

A former actor turned musician, Jacob Davich releases a candid five-song EP. Jacob's folksy sing-songwriter guitar and vocals resemble the work of Jim Croce, James Taylor, and David Gray. "Don't Run Don't Hide" is a great roots-driven, folk-centric, and pop-infused medley of throbbing B3, jangly guitars, and swishy percussion. "Call My Name" is a slower, down-tempo ballad with folk and alt-country stylings. "Hold On" is another ballad with introspective lyrics and a jazzy or bluesy musical influence with piano backing and guitar accompaniment. "How You Gonna Tell Me" is a great folk-rock song with a hint of roots-driven qualities from American folk music of the 1960's and 70's. The Dylan cover, "I Shall Be Released," is a bluesy, almost gospel-driven medley of sound reflecting the music of the time that is equally-relevant today. All in all, there are four original tunes and one cover. If you are fans of the above-mentioned artists, you will definitely love Jacob Davich's new EP. Everyone else should pick it up. It's that good. 5 Stars (out of 5). ~ Matthew Forss

CD Review: Arlon Bennett's 'World Of Possibility'

Arlon Bennett
World Of Possibility
Self-Release

New York-native, Arlon Bennett is a songwriter, singer, and guitarist with a knack for classic Americana songs steeped in nostalgic settings and contemplative memories about life. Folk music is the primary genre showcased here. The vocals are a bit of James Taylor and the classic Americana songs of Fountains Of Wayne. The slight Paul Simon references are not too far from the truth throughout. "I America" is a harmonica-tinged and guitar-focused song with uppity choruses and harmonic backup vocals. Basically, it is America's soundtrack. "A Friend Of You" contains crisp guitar strums and punchy percussion. "Everything He Says" is an upbeat folk music anthem with catchy melodies and twangy resonances. There is a hint of country music driven by a folk music background. The music is also similar to the so-called 'country music' of contemporary Inuit music performers. Though, Arlon sings songs in English and about events, life, and family in America. Anyone with an interest in clear vocals, folk melodies, and a pop presence should find Arlon Bennett at the top of any listening list. Imagine the possibilities with Arlon Bennett. ~ Matthew Forss 

CD Review: Jesse Terry's 'Empty Seat On A Plane'

Jesse Terry
Empty Seat On A Plane
Self-Release

Jesse Terry's latest release of contemporary American folk-pop, Empty Seat On A Plane, traverses nostalgic folk styles of Ryan Adams and James Taylor, while forging his own path of light, roots-inspired folk-pop. There are also blues-tinged elements on some of the tracks. The bluesy, gospel-tinged "Bitterroot Valley," sets the standard for folk-blues with reverberating B3, grungy, sauntering electric guitars, strings, and soulful vocals. The folk-pop styles and vocals reflect a perfect male equivalent of Shawn Colvin's music. The scintillating "Scared Of Nothing," contains superb folk guitar leanings and alternative percussion that is dreamy and compelling. "Grace On A Train" contains tapping percussion, crystalline acoustic guitar strumming, and a few cymbal clangs near the end of the song. The entire song is rather reserved and slow in tempo. Nevertheless, the twelve songs represent a solid mix of acoustic folk-pop and Americana music in the vein of Shawn Colvin, Ryan Adams, Venice, and James Taylor. There would not be an empty seat anywhere Jesse Terry performs. ~ Matthew Forss