Roxanna
Exotica
RoxArt
Born in Iran and based in North America, Roxanna brings a classical voice to the forefront in world fusion and pop-based songs on her latest, seventeen-track release, Exotica. Roxanna's sensual voice is matched by Chris Botti's sensuous trumpet sounds backed by a fusion of pop and world music arrangements. The Latin and flamenco-tinged, "Unforgotten," is an exotic medley of sounds that evoke nothing but magic and mystery. "The Air That I Breathe" is a slow, jazzy, pop standard song with breathy vocals and swishy percussion backed by jazzy piano melodies. "Only You" begins with sparkling guitar sounds and flamenco-like rhythms. Roxanna's vocals are akin to another fellow countrywoman, Nazanin (a former Miss World). Every song is different, but they do not touch urban, dance, rock, or classical genres. Exotica is a great mix of world music styles backed with a great voice. The result is a winning combination that is highly-desirable. 5 Stars (out of 5). ~ Matthew Forss
Monday, October 27, 2014
CD Review: Roxanna's 'Exotica'
Wednesday, October 22, 2014
CD Review: Quinn DeVeaux & The Blue Beat Review's 'Originals'
Quinn DeVeaux & The Blue Beat Review
Originals
QDV Records
Delta blues, rockabilly, folk, roots, gospel, and early rock & roll influences wrap up the gist of the new album, Originals, by Quinn DeVeaux & The Blue Beat Review. Quinn grew up in Indiana, but found inspiration living in Washington and California later on. Quinn's songs are classic compositions inspired by the music of the early 1900's. There is a bluesy, jazzy, and folksy element with rustic piano, horns, and percussion that are perfectly executed throughout the entire album. Quinn's vocals and guitar work are something that should have been on the O Brother, Where Art Thou? soundtrack. This is not really country music, or bluegrass music, for that matter. Instead, Quinn brings together a mix of early Americana rock & roll, folk, blues, jazz, and swing music for a contemporary era. If Darius Rucker (ex-Hootie & The Blowfish) would explore the folkier side of Americana, Quinn would be the genre purveyor in that regard. ~ Matthew Forss
Originals
QDV Records
Delta blues, rockabilly, folk, roots, gospel, and early rock & roll influences wrap up the gist of the new album, Originals, by Quinn DeVeaux & The Blue Beat Review. Quinn grew up in Indiana, but found inspiration living in Washington and California later on. Quinn's songs are classic compositions inspired by the music of the early 1900's. There is a bluesy, jazzy, and folksy element with rustic piano, horns, and percussion that are perfectly executed throughout the entire album. Quinn's vocals and guitar work are something that should have been on the O Brother, Where Art Thou? soundtrack. This is not really country music, or bluegrass music, for that matter. Instead, Quinn brings together a mix of early Americana rock & roll, folk, blues, jazz, and swing music for a contemporary era. If Darius Rucker (ex-Hootie & The Blowfish) would explore the folkier side of Americana, Quinn would be the genre purveyor in that regard. ~ Matthew Forss
Labels:
americana,
Blues,
darius rucker,
folk,
forss,
jazz,
originals,
qdv records,
quinn deveaux,
roots,
swing,
the blue beat review,
USA
CD Review: Backbeat Soundsystem's 'Together Not Apart'
Backbeat Soundsystem
Together Not Apart
Easy Star Records
Reggae from the U.K.? Yes, indeed. The eight-piece reggae-roots band, Backbeat Soundsystem, fires on all cylinders with their latest, hook-laden release, Together Not Apart. The group comprises the talents of Dean Forrest, Darren Kendall, Zac Jesus Esquela Harkavy, Jon Symons, Sam Parsons, Elf Forrest, Lawrence Willoughby, and Tom Neale. The music contains catchy, bass-laden beats with hooks that will grab everyone's attention. There are twelve tracks in all. Each song is unique and blends reggae sounds with pop, rock, and urban jazz. The fluid sounds of reggae and punchy percussion are all positive attributes that make Together Not Apart stand alone as an impressive recording. Fans of Easy Star Records will find this a necessary recording. Also, fans of reggae will love it. ~ Matthew Forss
Together Not Apart
Easy Star Records
Reggae from the U.K.? Yes, indeed. The eight-piece reggae-roots band, Backbeat Soundsystem, fires on all cylinders with their latest, hook-laden release, Together Not Apart. The group comprises the talents of Dean Forrest, Darren Kendall, Zac Jesus Esquela Harkavy, Jon Symons, Sam Parsons, Elf Forrest, Lawrence Willoughby, and Tom Neale. The music contains catchy, bass-laden beats with hooks that will grab everyone's attention. There are twelve tracks in all. Each song is unique and blends reggae sounds with pop, rock, and urban jazz. The fluid sounds of reggae and punchy percussion are all positive attributes that make Together Not Apart stand alone as an impressive recording. Fans of Easy Star Records will find this a necessary recording. Also, fans of reggae will love it. ~ Matthew Forss
Labels:
backbeat soundsystem,
british,
easy star records,
england,
forss,
jazz,
pop,
reggae,
rock,
roots,
together not apart,
uk
Tuesday, October 21, 2014
CD Review: Xylouris White's 'Goats'
Xylouris White
Goats
Other Music Recording Co.
Xylouris White is a group formed from George Xylouris and Jim White. George is a very talented Greek lute player with one vocal song on the new album, Goats. Jim White is a percussionist from Australia with a penchant for creating rhythms characteristic of goats traversing rocky hill-sides. The lute adds an element of surprise to the entire album with diverse tunings, playing styles, and an unabashed ability to create diverse and engaging tunes. There are nine total tracks, but only one contains vocals and George is the vocalist. The entire album is around thirty-five minutes in length, but it should not be ignored. The triumphant silences and sounds of the opener, "Pulling The Bricks," intrigues the listener with its divergent sound. The minstrel-like lute sounds of many of the tracks suggests a Medieval presence, too. Overall, Xylouris White is a great duo that knows how to entertain humans and goats with ease. ~ Matthew Forss
Goats
Other Music Recording Co.
Xylouris White is a group formed from George Xylouris and Jim White. George is a very talented Greek lute player with one vocal song on the new album, Goats. Jim White is a percussionist from Australia with a penchant for creating rhythms characteristic of goats traversing rocky hill-sides. The lute adds an element of surprise to the entire album with diverse tunings, playing styles, and an unabashed ability to create diverse and engaging tunes. There are nine total tracks, but only one contains vocals and George is the vocalist. The entire album is around thirty-five minutes in length, but it should not be ignored. The triumphant silences and sounds of the opener, "Pulling The Bricks," intrigues the listener with its divergent sound. The minstrel-like lute sounds of many of the tracks suggests a Medieval presence, too. Overall, Xylouris White is a great duo that knows how to entertain humans and goats with ease. ~ Matthew Forss
Labels:
australia,
cretan,
forss,
geoerge xylouris,
goats,
greek,
instrumental,
jim white,
lute,
other music recording co,
xylouris white
CD Review: Beautiful Mess' 'Words Getting Around'
Beautiful Mess
Words Getting Around
Self-Release
Words Getting Around
Self-Release
The Northeast-based group, Beautiful Mess, is spearheaded by Chris Ehrhart and his nephew, Tim Ehrhart who have a passion for writing, playing, arranging, and sharing songs of a heavenly side—on their latest release, Words Getting Around. The
five-track release showcases jingly pop and rock songs with a positive message
about the realities of life. The music
is more than a voice, guitar, and drums, as other instruments come into play
throughout.
“Alright”
opens with plaintive vocals and a briskly-played, acoustic guitar with a kind
of flamenco style. The vocals are backed
by light percussion through mid-song. The
vocals feel very organic and unaltered by heavy mixing or sampling. The last half of the song incorporates a few
spoken word vocals with symphonic, rock arrangements and louder vocals by the
end of the song. However, the vocals are
still discernible. The rock arrangements
are a fitting end to the song that actually ends with a few acoustic guitar
chords, as delicately as it started.
“Crazy”
begins with clap-like percussion, a few piano notes, and swishy percussion with
great vocals. The up-tempo beat sparkles
with guitar, piano, and arrangements. After
the first few verses, a punchy rock beat occurs before a vocal only line that
signals the last few lines of the song with full-on percussion, guitars, piano,
and vocals in a pop-rock structure. The
pop vocals at the end of the song appropriately round out the song’s best features.
“Holding
On” opens with an acoustic guitar in a folksy, raw manner. The vocals begin, as a rich, percussive sound
accompanies the vocals and guitar. After
the first few lines, a symphonic chorus incorporates a little pop-rock
splendor. There are lush back-up vocals
throughout amidst the jangly percussion. The end of the song ends as charming as it
begins with plaintive guitar and vocals.
“Home
Forever” begins with piano notes and a heartfelt vocal line. A percussion arrangement kicks in with an
ambulating beat and delicate taps. A
swishy cymbal clang signals more dramatic vocal performances with back-up
vocals during the first chorus. The next
few verses escalate with pop-rock charisma in a more majestic tone with lush
guitars, symphonic washes, and rock guitar beats. The triumphant vocals are fueled by powerful
lyrics of Christian rebirth and eternal living. After the climax of the last chorus, the song
fades out with organ sounds and percussion arrangements.
“Words
Getting Around” opens with a jingly acoustic guitar tune and organ sounds with
swishy cymbals and drums. The bluesy and
folksy tune is jingly and full of pop-rock splendor with vocals akin to Dave
Matthews. Even the bluesy melody and
guitar arrangements are akin to something by Dave Matthews. At any rate, mid-song features back-up vocals
in a bluesy or gospel context. The
vocals are manipulated in parts by back-up vocals and some programming effects.
The back-up vocals, instruments, and
arrangements come together in the end for a party-like sound of indiscriminate
vocals. The mish-mash of music is a
fitting end to the song.
Beautiful
Mess is a group that is inspired by things beyond this Earth and they harness
that energy and turn it into great music arranged in innovative ways by
incorporating a mix of instrumentation. The music is also catchy. Though, only five songs are included on the
album. Still, the five songs are all very good without any faults. A mix of jazzy, folk, rock, pop, Christian,
and gospel elements make the music shine without any shortcomings. Anyone with an interest in the abovementioned
genres will find happiness (and meaning) in the songs.
Review
by Matthew Forss
Rating:
5 Stars (out of 5)
Find them on bandcamp!
Monday, October 13, 2014
Digital Review: War Poets' 'Hot And Cold: American Relationships'
War Poets
Hot And Cold: American Relationships
Self-Release
Minneapolis-based duo, War Poets, is the result of Rex Haberman and Jenny Case forming a voice and guitar group with lyrically-relevant and catchy pop-rock songs. Jenny's vocals are akin to Michelle Branch and Nina Gordon (ex-Veruca Salt), while Rex's vocals are equally-intriguing and reminiscent of Springsteen, The Wallflowers, and R.E.M. The basic pop-rock structures are here on the new six-track, digital EP release, Hot And Cold: American Relationships. "Ones Who Love" is more of a rock-based song with an R.E.M.-type beat and vocalizations with a hint of Bruce Springsteen and The Wallflowers. "Perfect One" contains a classic pop-rock beat with influences from the 1960's, but Rex's voice is timeless and backed by an incredible, catchy melody. "Bits And Pieces" is the only song on the release that features Jenny's lead vocals. The melody is catchy and the vocals very similar to a cross between Michelle Branch and Nina Gordon. Overall, the new release explores some catchy songs with great lyrics and memorable hooks without sounding forced or on-the-nose. Check out Sound Cloud for more info and downloads. 5 Stars (out of 5). ~ Matthew Forss
Hot And Cold: American Relationships
Self-Release
Minneapolis-based duo, War Poets, is the result of Rex Haberman and Jenny Case forming a voice and guitar group with lyrically-relevant and catchy pop-rock songs. Jenny's vocals are akin to Michelle Branch and Nina Gordon (ex-Veruca Salt), while Rex's vocals are equally-intriguing and reminiscent of Springsteen, The Wallflowers, and R.E.M. The basic pop-rock structures are here on the new six-track, digital EP release, Hot And Cold: American Relationships. "Ones Who Love" is more of a rock-based song with an R.E.M.-type beat and vocalizations with a hint of Bruce Springsteen and The Wallflowers. "Perfect One" contains a classic pop-rock beat with influences from the 1960's, but Rex's voice is timeless and backed by an incredible, catchy melody. "Bits And Pieces" is the only song on the release that features Jenny's lead vocals. The melody is catchy and the vocals very similar to a cross between Michelle Branch and Nina Gordon. Overall, the new release explores some catchy songs with great lyrics and memorable hooks without sounding forced or on-the-nose. Check out Sound Cloud for more info and downloads. 5 Stars (out of 5). ~ Matthew Forss
Thursday, October 9, 2014
CD Review: Abelardo Barroso's 'Cha Cha Cha'
Abelardo Barroso
Cha Cha Cha
World Circuit
The year is 1925. Through the smoky clouds of a Havana jazz club, one can spot the unmistakable Abelardo Barroso and his Orquesta Sensacion. The classic sounds of Abelardo's voice are backed by bouncy piano, authentic strings, and airy flutes that are arranged in cha cha cha, son, and similar music styles of the era. The folksy, jazzy, and danceable grooves of the music are very indigenous and familiar to anyone with an interest in Cuban music history. The heavy percussion in parts keep the music moving along. The poignant tunes are somewhat cinematic and breezy. In the same manner, the music is ideal for relaxing, dancing, taking a cruise, or dreaming of a place sunny and warm. Whatever you call it or make it, Abelardo Barroso's great voice and backing orchestra make the music come alive (and stay alive). ~ Matthew Forss
Cha Cha Cha
World Circuit
The year is 1925. Through the smoky clouds of a Havana jazz club, one can spot the unmistakable Abelardo Barroso and his Orquesta Sensacion. The classic sounds of Abelardo's voice are backed by bouncy piano, authentic strings, and airy flutes that are arranged in cha cha cha, son, and similar music styles of the era. The folksy, jazzy, and danceable grooves of the music are very indigenous and familiar to anyone with an interest in Cuban music history. The heavy percussion in parts keep the music moving along. The poignant tunes are somewhat cinematic and breezy. In the same manner, the music is ideal for relaxing, dancing, taking a cruise, or dreaming of a place sunny and warm. Whatever you call it or make it, Abelardo Barroso's great voice and backing orchestra make the music come alive (and stay alive). ~ Matthew Forss
Labels:
abelardo barroso,
cha cha cha,
cuba,
Cuban,
dance,
forss,
jazz,
son,
strings,
world circuit
CD Review: Alex Skolnick's 'Planetary Coalition'
Alex Skolnick
Planetary Coalition
Artist Share
Alex Skolnick is a true world music pioneer--coming from the worlds of metal, jazz, rock, and now ethnic--Planetary Coalition is a global album with over two-dozen artists contributing to its production. There are some great instrumentals on this album, as well as great vocals coming from only two tracks featuring Kiran Ahluwalia and Yacouba Sissoka. The instrumentals are jam-worthy, flamenco-tinged, alternative rock incarnations, and avant-garde expressions of musical tastes from far-away lands. Some of the instruments include bass, santoor, horns, several different guitars, tabla, violin, qanun, darbouka, accordion, piano, pipa, riq, oud, and more. Most of the songs are original, too. Fans of world guitar music, global tunes, and instrumental variations will love Alex's new release. ~ Matthew Forss
Planetary Coalition
Artist Share
Alex Skolnick is a true world music pioneer--coming from the worlds of metal, jazz, rock, and now ethnic--Planetary Coalition is a global album with over two-dozen artists contributing to its production. There are some great instrumentals on this album, as well as great vocals coming from only two tracks featuring Kiran Ahluwalia and Yacouba Sissoka. The instrumentals are jam-worthy, flamenco-tinged, alternative rock incarnations, and avant-garde expressions of musical tastes from far-away lands. Some of the instruments include bass, santoor, horns, several different guitars, tabla, violin, qanun, darbouka, accordion, piano, pipa, riq, oud, and more. Most of the songs are original, too. Fans of world guitar music, global tunes, and instrumental variations will love Alex's new release. ~ Matthew Forss
Labels:
africa,
alex skolnick,
artist share,
flamenco,
forss,
Indian,
instrumental,
jazz,
kiran,
Middle East,
planetary coalition,
USA,
world music,
yacouba
CD Review: Awa Sangho's 'Ala Ta'
Awa Sangho
Ala Ta
Motema
Mali's Awa Sangho is a very talented singer with a passion for music and incorporating traditional instrumentation in a contemporary setting. The music is fresh, catchy, and full of rich textures. The melodies and rhythms are equally-astounding. There are thirteen delicacies on this album and not one of them are identical. In addition to Awa's youthful vocals, the album is graced with guitar, bass, percussion, ngoni, kora, balafon, talking flute, ndjarka, bolon, bass guitar, and djembe. "Tambin Y Tambor" is a perfect blend of international instruments coming together for a relaxing and intriguing tune. "Denko" is a jazzy, Afro-pop tune with stellar vocals and sounds, "Emama" is a gritty, guitar tune with rippling sound effects and a Congolese-like rhythm. All of the songs are easy to listen to and void of anything distracting, disruptive, or unnecessary. Anyone with an interest in contemporary Malian music will love it. ~ Matthew Forss
Ala Ta
Motema
Mali's Awa Sangho is a very talented singer with a passion for music and incorporating traditional instrumentation in a contemporary setting. The music is fresh, catchy, and full of rich textures. The melodies and rhythms are equally-astounding. There are thirteen delicacies on this album and not one of them are identical. In addition to Awa's youthful vocals, the album is graced with guitar, bass, percussion, ngoni, kora, balafon, talking flute, ndjarka, bolon, bass guitar, and djembe. "Tambin Y Tambor" is a perfect blend of international instruments coming together for a relaxing and intriguing tune. "Denko" is a jazzy, Afro-pop tune with stellar vocals and sounds, "Emama" is a gritty, guitar tune with rippling sound effects and a Congolese-like rhythm. All of the songs are easy to listen to and void of anything distracting, disruptive, or unnecessary. Anyone with an interest in contemporary Malian music will love it. ~ Matthew Forss
CD Review: Yom's 'Le Silence de L'Exode'
Yom
Le Silence de L'Exode
Buda Musique
Yom is a composer and clarinetist with a passion for making music inspired by the Old Testament's Book of Exodus describing the forty years of Jewish people wandering in the deserts of Egypt. The result is an album of plaintive, yet powerful sounds that evoke magical feelings of hope, love, and conquest. The music is rather laid-back and poignant with all of the music created by clarinet, cello, double bass, zarb, daf, and bendir. There are no vocals. The music is very cinematic in parts and aimless in others. The rather varied tones represent a mix of emotions and feelings in the listener. As a result, the tunes are not named in order for the listener to determine his or her own exodus journey. It is a rather consistent one-hour journey that is both nostalgic and refreshing. The instruments move about in dizzying ways at times, while other times the music is very dreamy. At any rate, anyone will find Yom to be an excellent guide for those seeking salvation in music from a heavenly source. ~ Matthew Forss
Le Silence de L'Exode
Buda Musique
Yom is a composer and clarinetist with a passion for making music inspired by the Old Testament's Book of Exodus describing the forty years of Jewish people wandering in the deserts of Egypt. The result is an album of plaintive, yet powerful sounds that evoke magical feelings of hope, love, and conquest. The music is rather laid-back and poignant with all of the music created by clarinet, cello, double bass, zarb, daf, and bendir. There are no vocals. The music is very cinematic in parts and aimless in others. The rather varied tones represent a mix of emotions and feelings in the listener. As a result, the tunes are not named in order for the listener to determine his or her own exodus journey. It is a rather consistent one-hour journey that is both nostalgic and refreshing. The instruments move about in dizzying ways at times, while other times the music is very dreamy. At any rate, anyone will find Yom to be an excellent guide for those seeking salvation in music from a heavenly source. ~ Matthew Forss
Labels:
bible testament,
buda musique,
cello,
clarinet,
desert,
Egypt,
forss,
instrumental,
Jewish,
le silence de l'exode,
Middle East,
yom,
zarb
Wednesday, October 8, 2014
CD Review: Jubilee Riots' 'Penny Black'
Jubilee Riots
Penny Black
Self-Release
Jubilee Riots (formerly Enter The Haggis) is a Canadian band that brings Celtic and Scottish jam songs to the forefront in a swirling concoction of pop songs based on fan letters and stories. There are eleven songs on the album that are all different, but very memorable. The vocal chants, European charisma, and evocative lead vocals on "Astray" highlight the power of overcoming life's cruel world. "Two Bare Hands" opens with a folksy vocal line that blossoms into a power-pop medley of ear-friendly candy that is not too unlike Mumford & Sons and Paul Simon. "Trying Times" is an alt-rock song with soul, European, and dance elements. "Unsteady" is a classic song with great melody and rhythm and male and female vocals in a folksy setting. "Porch Light" is a twenty-second, alternative piano melody in a new age context. It serves a perfect half-way point thru the album. "Traveler" is a poignant guitar, horn, and percussion song with excellent vocals. Overall, Penny Black is littered with catchy lines, melodies, and rhythms without sacrificing quality. If you want great music--this is it. Anyone interested in alternative folk, pop, and European music will love Jubilee Riots. 5 Stars (out of 5) ~ Matthew Forss
Penny Black
Self-Release
Jubilee Riots (formerly Enter The Haggis) is a Canadian band that brings Celtic and Scottish jam songs to the forefront in a swirling concoction of pop songs based on fan letters and stories. There are eleven songs on the album that are all different, but very memorable. The vocal chants, European charisma, and evocative lead vocals on "Astray" highlight the power of overcoming life's cruel world. "Two Bare Hands" opens with a folksy vocal line that blossoms into a power-pop medley of ear-friendly candy that is not too unlike Mumford & Sons and Paul Simon. "Trying Times" is an alt-rock song with soul, European, and dance elements. "Unsteady" is a classic song with great melody and rhythm and male and female vocals in a folksy setting. "Porch Light" is a twenty-second, alternative piano melody in a new age context. It serves a perfect half-way point thru the album. "Traveler" is a poignant guitar, horn, and percussion song with excellent vocals. Overall, Penny Black is littered with catchy lines, melodies, and rhythms without sacrificing quality. If you want great music--this is it. Anyone interested in alternative folk, pop, and European music will love Jubilee Riots. 5 Stars (out of 5) ~ Matthew Forss
Labels:
canada,
celtic,
enter the haggis,
european,
folk,
forss,
jubilee riots,
mumford,
paul simon,
penny black,
scottish
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